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Anthony Gregory

Tenor

  • Rising young tenor Anthony Gregory is a recipient of many awards and prizes including the Ian Fleming Award and the Lies Askonas Prize. Acclaimed for his unique timbre, stage presence and musicality, he is already making a name for himself in the Mozart repertoire: “…Anthony Gregory, as Ferrando, sings with confidence and ardour of youth. A Mozart tenor to watch.” (Hugh Canning, Sunday Times, March 2013) He was also featured by esteemed critic Rupert Christiansen as one of the future operatic stars and was the 2015 winner of the Breakthrough Artists category by What’s On Stage.

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  • Currently a Harewood Artist at English National Opera, he was a Jerwood Young Artist for 2010 at Glyndebourne and a trainee of the prestigious National Opera Studio in 2011/12.


    In 2016/17, Gregory returns to Glyndebourne to sing Don Ottavio for their tour production of Don Giovanni and Vafrino Hipermestra which will open the festival season in 2017. Gregory also returns to English National Opera to premiere The Winter’s Tale, a new work by composer-in-residence Ryan Wigglesworth.


    His recent engagements include Peter Quint and Prologue The Turn of the Screw for Glyndebourne on Tour, Shepherd L’Orfeo for Royal Opera House, Ferrando Così fan tutte for Opéra de Limoges and English Touring Opera. He played Oronte in a new Katie Mitchell production of Alcina for Aix en Provence Festival; Edward Milfort Il cambiale matrimonio for Aix en Provence; Tamino Die Zauberflöte at Nevill Holt Opera, Almaviva Il barbiere di Siviglia with the Verbier Festival Academy, where he also appeared in concert performances of Beethoven’s Choral Fantasy under Charles Dutoit, as Roderigo Otello alongside Anna Netrebko and Aleksandr Antonenko under the baton of Valery Gergiev and as Agenore in an acclaimed performance of Il Re Pastore; include Lucio Silla for the Classical Opera Company; and Grimoaldo Rodelinda at the London Handel Festival conducted by Laurence Cummings. At English National Opera he was heard in recent seasons as Young Sailor Julietta, 1st Armed Man Die Zauberflöte, Borsa Rigoletto and Haemon Thebans.


    Last season Gregory made his debut with Teatro Real as Oronte and was heard as Nanki-poo The Mikado at English National Opera and as Flute in Peter Hall’s acclaimed production of A Midsummer Night’s Dream at the Glyndebourne Festival.


    On the concert platform he was recently heard in Bach’s Mass in B Minor with Ludus Baroque at the Edinburgh International Festival, Mozart Requiem with Royal Philharmonic Orchestra, St John Passion with the Oxford Bach Choir and a concert of arias at the prestigious Lufthansa Baroque Festival. Other engagements include Handel’s Messiah at Cadogan Hall, Wells Cathedral and in his debut with Royal Scottish National Orchestra; Schubert’s Rosamunde with the BBC Philharmonic Orchestra; Haydn St Nicholas Mass and Britten St Nicholas for the St Luke’s Music Society; Monteverdi Vespers with the Armonico Consort; and his debut with the Classical Opera Company in Arne’s Alfred the Great at King’s Place.

    2016-17 season / 501 words. Not to be altered without permission.

Performances

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Season highlights

Don Ottavio Don Giovanni
Glyndebourne on Tour


Florizel The Winter's Tale
English National Opera 

Vafrino Hipermestra (Cavalli) 
Glyndebourne Festival Opera

Concert repertoire

Arne
Alfred


Bach
Christmas Oratorio
St John Passion
Magnificat
St Matthew Passion


Britten
St Nicolas


Dvořák
Stabat Mater


Handel
Brockes Passion
Israel in Egypt
Judas Maccabeas
Messiah
Samson
Theodora


Haydn
Creation
The Seasons


Mendelssohn
St. Paul


Mozart
Mass in C (‘Great’)
Requiem


Rossini
Stabat Mater 



Opera repertoire

Berlioz
Iopas Les Troyens*


Britten
Novice Billy Budd
Lysander A Midsummer Night’s Dream
Male Chorus Rape of Lucretia
Peter Quint & Prologue Turn of the Screw


Donizetti
Ernesto Don Pasquale
Nemorino L’elisir d’amore


Handel
Oronte Alcina
Lurcanio Ariodante*
Acis / Damon Acis et Galatea
Grimoaldo Rodelinda
Jupiter Semele


Mozart
Ferrando Così fan tutte
Belmonte Die Entführung aus dem Serail*
Tamino Die Zauberflöte
Don Ottavio Don Giovanni
Belfiore La Finta Giardinera*
Title role Lucio Silla


Ravel
Gonzalve L’heure espagnole*


Rossini
Count Almaviva Il barbiere di Siviglia
Edward Milfort La cambiale di matrimonio


Stravinsky
Tom Rakewell The Rake’s Progress


Verdi
Fenton Falstaff*


*in preparation

Anthony Gregory, as the stranger from Corinth, a promising rising young tenor, performed close to perfection.

Huffington Post

Anthony Gregory's Quint, younger and handsomer than most, sounds disquietingly beautiful.

Guardian

…Anthony Gregory, as Ferrando, sings two out of his three [arias] with confidence and ardour of youth. A Mozart tenor to watch.

Hugh Canning, Sunday Times

Intermusica represents Anthony Gregory worldwide

Maria Mot
Associate Director, Vocal & Opera
+44 20 7608 9904
mmot@intermusica.co.uk

Evangeline Parker
Administrator, Vocal & Opera
+44 20 7608 9937
eparker@intermusica.co.uk

If you have any queries, please fill in the form below, and we will be in touch soon

All artists

Chansonnier

HK Gruber

Special projects

Charles Hazlewood

Counter-tenor

Tim Mead

Rupert Enticknap

Stage director

David Alden

Andreas Homoki

Piano accompanist

Roger Vignoles