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Anthony Gregory


  • Rising young tenor Anthony Gregory is a recipient of many awards and prizes including the Ian Fleming Award and the Lies Askonas Prize. Acclaimed for his unique timbre, stage presence and musicality, he is already making a name for himself in the Mozart repertoire: “…Anthony Gregory, as Ferrando, sings with confidence and ardour of youth. A Mozart tenor to watch.” (Hugh Canning, Sunday Times, March 2013) He was also featured by esteemed critic Rupert Christiansen as one of the future operatic stars and was recently announced as the winner of the 2015 Breakthrough Artists category by What’s On Stage.

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  • Currently a Harewood Artist at English National Opera, he was a Jerwood Young Artist for 2010 at Glyndebourne and a trainee of the prestigious National Opera Studio in 2011/12.

    His recent engagements include Edward Milfort Il cambiale matrimonio for Aix en Provence; Ferrando Così fan tutte and the Fairy Queen for English Touring Opera; Tamino Die Zauberflöte at Nevill Holt Opera, Almaviva Il barbiere di Siviglia with the Verbier Festival Academy, where he also appeared in concert performances of Beethoven’s Choral Fantasy under Charles Dutoit, as Roderigo Otello alongside Anna Netrebko and Aleksandr Antonenko under the baton of Valery Gergiev and as Agenore in an acclaimed performance of Il Re Pastore; include Lucio Silla for the Classical Opera Company; and Grimoaldo Rodelinda at the London Handel Festival conducted by Laurence Cummings. At English National Opera he was heard in recent seasons as Young Sailor Julietta, 1st Armed Man Die Zauberflöte, Borsa Rigoletto and Haemon Thebans.

    On the concert platform he was recently heard in Bach’s Mass in B Minor with Ludus Baroque at the Edinburgh International Festival, Mozart Requiem with Royal Philharmonic Orchestra, St John Passion with the Oxford Bach Choir and a concert of arias at the prestigious Lufthansa Baroque Festival. Other engagements include Handel’s Messiah at Cadogan Hall, Wells Cathedral and in his debut with Royal Scottish National Orchestra; Schubert’s Rosamunde with the BBC Philharmonic Orchestra; Haydn St Nicholas Mass and Britten St Nicholas for the St Luke’s Music Society; Monteverdi Vespers with the Armonico Consort; and his debut with the Classical Opera Company in Arne’s Alfred the Great at King’s Place.

    Last season Gregory made a series of notable role and house debuts: Peter Quint and Prologue The Turn of the Screw for Glyndebourne on Tour, Shepherd L’Orfeo for Royal Opera House, Ferrando Così fan tutte for Opéra de Limoges and Oronte in a new Katie Mitchell production of Alcina for Aix en Provence Festival.

    In 2015/16 Gregory makes his company debut at Teatro Real as Oronte and his North American Debut in Omaha as Jupiter in Semele. At English National Opera he can be heard as Nanki-poo in The Mikado and at the Glyndebourne Festival as Flute A Midsummer Night’s Dream.

    2015-16 season / 464 words. Not to be altered without permission.


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Season highlights

Oronte Alcina
Teatro Real, Madrid

Flute A Midsummer Night's Dream
Glyndebourne Festival Opera

Pylade Iphigénie en Tauride
Nacional de São Carlos, Lisbon

Nanki-Poo The Mikado
English National Opera, London 

Concert repertoire


Christmas Oratorio
St John Passion
St Matthew Passion

St Nicolas

Stabat Mater

Brockes Passion
Israel in Egypt
Judas Maccabeas

The Seasons

St. Paul

Mass in C (‘Great’)

Stabat Mater 

Opera repertoire

Iopas Les Troyens*

Novice Billy Budd
Lysander A Midsummer Night’s Dream
Male Chorus Rape of Lucretia
Peter Quint & Prologue Turn of the Screw

Ernesto Don Pasquale
Nemorino L’elisir d’amore

Oronte Alcina
Lurcanio Ariodante*
Acis / Damon Acis et Galatea
Grimoaldo Rodelinda
Jupiter Semele

Ferrando Così fan tutte
Belmonte Die Entführung aus dem Serail*
Tamino Die Zauberflöte
Don Ottavio Don Giovanni
Belfiore La Finta Giardinera*
Title role Lucio Silla

Gonzalve L’heure espagnole*

Count Almaviva Il barbiere di Siviglia
Edward Milfort La cambiale di matrimonio

Tom Rakewell The Rake’s Progress

Fenton Falstaff*

*in preparation

Tenors Anthony Gregory and Alexander Sprague blend beautifully with Christopher Lowrey’s warm, appealing countertenor, and all three Pastors communicate the drama powerfully.

Opera Today, January 2015

As the Narrator, Anthony Gregory’s bright, focused tenor was a perfect fit. Gregory was…a strikingly ominous figure of malevolence.

Seen and Heard International, November 2014

The contrast between Gregory's bright, deft Quint and Miranda Keys's slow, magnificently voiced Miss Jessel is fascinating.

Times, October 2014

Intermusica represents Anthony Gregory worldwide

Maria Mot
Senior Artist Manager
+44 20 7608 9904

Evangeline Parker
Administrator, Vocal & Opera
+44 20 7608 9937

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HK Gruber

Special projects

Charles Hazlewood


Tim Mead

Stage director

David Alden

Andreas Homoki

Piano accompanist

Roger Vignoles