Hailed as “the world’s finest and most daring percussionist” (Spectator), Colin Currie is a solo and chamber artist at the peak of his powers. Championing new music at the highest level, Currie is the soloist of choice for many of today’s foremost composers and he performs regularly with the world’s leading orchestras and conductors.
A dynamic and adventurous soloist, Currie’s commitment to commissioning and creating new music was recognised in 2015 by the Royal Philharmonic Society who awarded him the Instrumentalist Award. From his earliest years Currie forged a pioneering path in creating new music for percussion, winning the Royal Philharmonic Society Young Artist Award in 2000 and receiving a Borletti-Buitoni Trust Award in 2005. Currie has premiered works by composers such as Steve Reich, Elliott Carter, Louis Andriessen, HK Gruber, James MacMillan, Anna Clyne, Einojuhani Rautavaara, Jennifer Higdon, Kalevi Aho, Rolf Wallin, Kurt Schwertsik, Alexander Goehr, Andrew Norman, Mark-Anthony Turnage, Julia Wolfe and Nico Muhly. Looking ahead, in the coming seasons Currie will premiere new works by Andy Akiho, Helen Grime and Simon Holt.
Currie is Artist in Association at London’s Southbank Centre, where he was the focus of a major percussion festival Metal Wood Skin in 2014 and continues to perform there every season. Currie is also Artist in Residence with Oregon Symphony Orchestra 2015/16 -2017/18. The three season residency includes annual performances with Oregon Symphony Orchestra, extensive education and outreach work, and this season sees the world premiere of Andy Akiho’s Percussion Concerto in April 2018, conducted by Carlos Kalmar.
Currie’s 2017/18 season is marked by a number of other premieres including a new work for piano and percussion by Sir Harrison Birtwistle with Nicolas Hodges at the Library of Congress and London’s Southbank Centre. Currie will also premiere new works by Brett Dean and Joe Duddell with Håkan Hardenberger at Malmo Chamber Festival this September and Aldeburgh Music in November 2017, and a new work for percussion and electronics by Dave Maric with the Scottish Ensemble.
Other highlights of 2017/18 include the Scandinavian premiere of HK Gruber’s into the open… with the Royal Stockholm Philharmonic, conducted by HK Gruber, and a series of solo recitals including The Schubert Club, Budapest, Lawrence University and at Sir James MacMillan’s The Cumnock Tryst. Currie’s orchestral engagements include Houston Symphony, Antwerp Symphony, BBC Philharmonic, Scottish Chamber Orchestra, Het Gelders Orkest, National Youth Orchestra of Scotland and Brno Contemporary Orchestra.
Currie’s dynamic ensemble the Colin Currie Group was formed in 2006 to celebrate the music of Steve Reich and made its five-star debut at the BBC Proms. Since then, with Reich’s personal endorsement Currie and his ensemble have taken on the role of ambassadors of Drumming, which they have performed at many venues and festivals internationally. Highlights of the 2017/18 season include the release of the group’s debut recording of Drumming and performances at King’s Place and Saffron Hall.
Currie has recorded many concerto, recital and chamber works including most recently Elliott Carter’s Two Controversies and a Conversation with Pierre-Laurent Aimard and Oliver Knussen (Ondine) and Simon Holt’s a table of noises with The Hallé Orchestra/Collon (NMC). His recording of Rautavaara’s Incantations with the Helsinki Philharmonic/Storgårds (Ondine) was released to critical acclaim and won a 2012 Gramophone Award. Previous releases by Currie include MacMillan’s Veni, Veni, Emmanuel with the Netherlands Radio Chamber Philharmonic/MacMillan on Challenge Classics, Jennifer Higdon’s Percussion Concerto with the London Philharmonic/Alsop, which won a 2010 Grammy Award, and a recital disc Borrowed Time featuring music by Dave Maric (Onyx). Currie recently recorded Steve Reich’s Quartet with Colin Currie Group to be released by Nonesuch Records in the coming season.
*possible for chamber orchestra
Percussion Concerto (World premiere 2018)
Two Controversies and a Conversation*
Double Concerto (piano & percussion)*
Snowblind (with string ensemble)*
Frog and Star Cycle (double concerto)
Concerto for Water Percussion
New Work (World premiere 2019)
Into the open...
a table of noises
Percussion Concerto No. 2
Veni, Veni Emmanuel*
Lifetimes (with string ensemble)*
Towards Future's Embrace*
Crossings (concerto for two percussionists)
Der gerettete Alberich
Now you hear me, now you don't* (with string ensemble)
riSE and fLY
Aïs (baritone, percussion and orchestra)
Andre de Ridder
Solo Percussion Recital
Elliott Carter Figment V
Per Norgaard Fire Over Water
Toshio Hosokawa Reminiscence
Bruno Mantovani Moi, jeu...
Iannis Xenakis Rebonds B
Karlheinz Stockhausen Vibra-Elufa
Rolf Wallin Realismos Mágicos
"His words set expectations high, and his performance exceeded them…. Currie’s white mallets blurred as they raced over bongos and tom-toms, both arms and one foot maintaining distinct rhythms. He moved with taut physicality and fierce focus, tweaking each limb’s pattern and prominence, phasing them in and out… He bowed with a smile, having rocked the house and raised the roof."
Boston Globe, December 2016
"a blistering and mesmeric performance... He erupted onto the stage, launching his programme to explosive effect with Per Norgards’ Fire over Water... The relative peace of Hosakawa’s Remembrance evoked an altogether different world, as did the wonderful mercurial qualities of both Stockhausen’s Vibra-Elufa and Ralf Wallin’s dazzling miniatures, Realismos magicos. And that was Currie’s playing: magical and dazzling to eye and ear, climaxing in the classic drum battle that is Xenakis’ Rebonds B."
Glasgow Herald, November 2016
"Rolling tremolandos gave an effect of aural marbling, with Currie’s dexterity and control of dynamic fluctuation as awe-inspiring as the piece itself."
Colin Currie and Håkan Hardenberger
Trumpet and Percussion Duo
Joe Duddell Catch
Karlheinz Stockhausen Vibra-Elufa (solo percussion)
Toru Takemitsu Paths (solo trumpet)
Tobias Brostrom Dream Variations
Christian Muthspeil To and Fro
Rolf Wallin Realismos Mágicos (solo percussion)
Brett Dean ...the scene of the crime...
“A breathtaking performance… Both players exhibited stunning virtuosity, though always at the service of musical effect, never for its own sake.” San Francisco Classical Voice
Colin Currie and Nicholas Hodges (percussion & piano)
Birtwistle Intrada for piano and percussion
Stockhausen Klavierstück V (piano)
Birtwistle Variations from the Golden Mountain (piano)
Feldman King of Denmark (percussion)
Birtwistle Intrada for piano and percussion
Stockhausen Kontakte (piano & percussion)
“The combined genius of pianist Nicholas Hodges and percussionist Colin Currie, armed with a battery of percussion and piano, made thrilling theatre out of it, amplifying the electronic cues with a visceral immediacy that brought every moment to life. The entire presentation was directional, engaging and unquestionable proof that Stockhausen was not only onto something, but way ahead of the game.” Scotsman
Colin Currie Percussion Quartet
Joseph Pereira Mallet Quartet
Xenakis Rebonds B (solo percussion)
Stockhausen Vibra-Elufa (solo percussion)
Steve Reich Mallet Quartet
Kevin Volans Four Marimbas
Steve Reich Drumming Part 1
"The performances, led by Currie, seemed exemplary. Each performance worked like a well-oiled machine, the players appearing to stroll from one instrument to the next. It’s the musical equivalent of a high-wire act; everyone is striving mightily to seem relaxed, but we know disaster is only one slip away."
Daily Telegraph, October 2014
Colin Currie & Sam Walton (percussion), Simon Crawford-Phillips & Philip Moore (piano)
Adams Hallelujah Junction (piano duo)
Reich Quartet (two pianos, two vibraphones)
Wallin Realismos mágicos (solo percussion)
Bartók Sonata for Two Pianos & Percussion
Colin Currie and the JACK Quartet
Programme to include a new work by Simon Holt.
...the work confirms Currie’s status as an athlete and a star, as well as an outstanding musician.
Currie is riveting to watch as well as hear, his body always tense with concentration. And yet the actual touch is measured and even gentle, each note placed just so.
The soloist was Colin Currie, surely the world’s finest and most daring percussionist.