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Joélle Harvey


  • American soprano Joélle Harvey is recognised as one of the most promising talents of her generation. Her recent Royal Opera House main stage debut as Susanna in Le Nozze di Figaro under the baton of John Eliot Gardiner was praised by Financial Times as “Joélle Harvey sings the most delectably mellifluous Susanna to have been heard here for some years.” 

    In the 2021/22 season, Harvey will make her house and role debut as Aristea L' Olimpiade at the Zurich Opera House. On the concert platform, she will perform Bach Magnificat, Vivaldi Gloria and Haydn The Creation with the Handel & Haydn Society.

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  • Recent highlights include her role debut as Pamina Die Zauberflöte for the Metropolitan Opera. In concert, she appeared with the New York Philharmonic, St Louis Symphony and the Philharmonia Orchestra performing Mahler Symphony No 2, Mahler Symphony No 4 with Cleveland Orchestra, with San Francisco Symphony performing Brahms’ Requiem, and with the Handel & Haydn Society performing Mozart Requiem, among others.

    In the summer of 2018, she returned to the Glyndebourne Festival Opera for a “captivating” and “exquisite” role debut as Cleopatra in Sir David McVicar’s iconic production of Handel Giulio Cesare, conducted by William Christie. In the 2018/19 season Joelle made her Carnegie Hall recital debut with pianist Allen Perriello, as part of the Great Singers: Evenings of Song series. The works of Gustav Mahler figured substantially in her other season engagements: Mahler Symphony No 8 with the LA Philharmonic orchestra at the Hollywood Bowl, singing the Mater Gloriosa in performances conducted by Gustavo Dudamel; Mahler Symphony No 2 with Cleveland Orchestra with Franz Welser-Möst and for her debut with Toronto Symphony, in performances led by Juanjo Mena; Mahler Symphony No 5 with San Diego Symphony and Edo de Waart. Joelle toured with the British ensemble Arcangelo and Jonathan Cohen, performing in several U.S. cities. She also appeared with the New York Philharmonic (Mozart Requiem), Saint Paul Chamber Orchestra (Bach St. John Passion), North Carolina Symphony (Mozart arias and Mass in C Minor), Indianapolis Symphony (Bruckner Te deum), and Handel & Haydn Society (Mozart Requiem), among others.

    Recent engagements include her Pittsburgh Opera debut as Susanna in Le nozze di Figaro, Servilia in La clemenza di Tito for Glyndebourne Festival Opera, Pat Nixon in Nixon in China with the Los Angeles Philharmonic, repeat appearances as Sicle in L’Ormindo with the Royal Opera House, Covent Garden, Galatea in Acis and Galatea at the Teatro La Fenice under the direction of Leonardo García Alarcón for the Festival d’Aix-en-Provence, and Zerlina in a revival of Dmitri Tcherniakov’s production of Don Giovanni, conducted by Marc Minkowski for the Festival d’Aix-en-Provence. In previous seasons she has appeared as Serpetta in La finta giardiniera and Juno The Fairy Queen at Glyndebourne Festival Opera.

    Harvey is a recipient of the Shoshana Foundation’s 2007 Richard F. Gold Career Grant, a 2011 First Prize Award from the Gerda Lissner Foundation, a 2009 Sara Tucker Study Grant from the Richard Tucker Foundation, a 2010 Encouragement Award (in honor of Norma Newton) from the George London Foundation, and was also presented with the John Alexander Memorial Award and the coveted Sam Adams Award for Achievement in Acting from the University of Cincinnati College-Conservatory of Music (CCM).

    2021/22 season / 539 words. Not to be altered without permission.


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Opera repertoire

Marzelline Fidelio

Tytania A Midsummer Night’s Dream
Flora The Turn of the Screw

Laurie The Tender Land

Norina Don Pasquale
Adina L’elisir d’amore

La Princesse Orphée

Euridice Orfeo ed Euridice

Galatea Acis and Galatea
Morgana Alcina
Cleopatra Giulio Cesare
Michal Saul
Semele Semele
Seleuce Tolomeo
Almirena Rinaldo

Gretel Hänsel und Gretel

Sophie Werther

Poppea L’incoronazione di Poppea

Despina Così fan tutte
Zerlina Don Giovanni
Ilia Idomeneo
Susanna Le nozze di Figaro
Pamina Die Zauberflöte

Eurydice Orpheus in the Underworld

Constance Dialogues des Carmélites

Belinda Dido and Aeneas

Le feu L’enfant et les sortilèges

R. Strauss
Zdenka Arabella
Sophie Der Rosenkavalier

Oscar Un ballo in maschera
Nannetta Falstaff

Ännchen Der Freischütz

Gilbert & Sullivan
Josephine H.M.S. Pinafore
Yum-Yum The Mikado
Mabel The Pirates of Penzance

Concert & recital repertoire

Cantata No.22, ‘Wedding Cantata’
Mass in B Minor 

A German Requiem



Dixit Dominus

The Creation

Symphony No.4

Coronation Mass
Great Mass in C minor

Mass No.2 in G major


Season Highlights

*Carnegie Hall recital debut with pianist Allen Perriello, as part of the Great Singers: Evenings of Song series.

*Mahler Symphony No 8 with the LA Philharmonic orchestra at the Hollywood Bowl, singing the Mater Gloriosa in performances conducted by Gustavo Dudamel

*Mozart’s Requiem with the New York Philharmonic 

*A concert tour with Jonathan Cohen and Arcangelo performing Handel's 9 German Arias. Venues include Zankel Hall, Carnegie Hall, New York City, and Shriver Hall, Baltimore, US.

Among the soloists, soprano Joélle Harvey, a radiantly sublime Iphis, was the most impressive

Los Angeles Times

How evenly weighted her liquid soprano remained across the aria’s big interval jumps. Ms. Harvey’s luminous soprano was well cast in the pastoral passages as well as in the gently lilting melody of 'How beautiful are the feet.'

New York Times

Joélle Harvey’s Susanna is the star by some stretch — impeccably detailed, comically enchanting and finishing it all off with a stunning aria.

Evening Standard

Intermusica represents Joélle Harvey in Europe

Rachel Walters
Senior Artist Manager, Vocal & Opera
+44 7747 487993

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Mark Simpson


HK Gruber


Tim Mead

Piano accompanist

Roger Vignoles