Concert repertoire
Beethoven
Mass in C
Symphony No.9
Berlioz
Les nuits d’été
La mort de Cléopâtre
Elgar
Dream of Gerontius
Mahler
Kindertotenlieder
Rückert Lieder
Other various song cycles
Symphony No. 2
Mendelssohn
Elijah
Mozart
Requiem
Pergolesi
Stabat Mater
Pärt
Stabat Mater
Es sang vor langen Jahren
Reinvere
Mu isamaa. Mu õnn ja rõõm.
(Mein Vaterland, mein Glück und meine Freude)
Verdi
Requiem
Zemlinsky
Sechs Gesänge
Opera repertoire
Bizet
Title role Carmen*
Britten
Kate Julian Owen Wingrave
Lucretia Rape of Lucretia*
Brook
Title role La tragédie de Carmen
Humperdinck
Hänsel Hänsel und Gretel
Korngold
Brigitta Die tote Stadt*
Massenet
Prince* & Dorothée Cendrillon
Charlotte Werther
Prokofiev
Blanche The Gambler
Rimsky-Korsakov
Lyubasha The Tsar’s Bride
Shostakovich
Sonyetka Lady Macbeth of the Mtsensk District
Strauss, R.
Octavian Der Rosenkavalier*
Tchaikovksy
Olga Eugene Onegin
Polina Pikovaya Dama
Verdi
Emilia Otello
Meg Page Falstaff
Flora & Annina* La Traviata
Maddalena Rigoletto
Wagner
Fricka & Wellgunde Das Rheingold
Fricka, Waltraute & Siegrune Die Walküre
Waltraute, 2nd Norn & Wellgunde Götterdämmerung
Brangäne Tristan und Isolde*
Mary Der Fliegende Holländer
3rd Blumenmädchen Parsifal
* in preparation
Opera Today, July 2015Kai Rüütel's Meg Page exhibited a warm vocal sensuality
Seen and Heard International, January 2014Her English was flawless; her voice sounded absolutely gorgeous; she sang with excellent feeling but with a complete absence of histrionics – she simply stood and delivered; and although she carried a score she barely glanced at it, singing directly to her audience with whom she maintained a compelling eye-contact.
Seen and Heard International, January 2014Throughout her performance she exhibited a marvellous sense of line and her voice was produced not only evenly throughout its compass but also seemingly without effort. Time and again there was a lovely warmth to her singing […]I hope to hear her again in this role to which, I think, she is ideally suited.