One of the leading tenors today, Pavel Černoch regularly appears on the most important opera stages including Teatro alla Scala, Vienna, Paris, Dutch National Opera, Royal Opera House Covent Garden and the Salzburg and Glyndebourne Festivals. A hugely versatile artist, he is particularly acclaimed for his interpretations of the Czech and Slavic repertoire but is equally at home in French and Italian roles. He works frequently with some of the worlds most acclaimed conductors such as Daniel Barenboim, Kirill Petrenko, Simon Rattle, Andris Nelsons, John Eliot Gardiner, Charles Dutoit and Semyon Bychkov.
Engagements in Černoch’s 20/21 season include his debut in the German heldentenor repertoire with the role of Max in a new production by Dmitri Tcherniakov of Der Freischütz at Bayerische Staatoper. He also stars as Cavaradossi in a new production of Tosca at La Monnaie and in performances at The National Theatre Opera in Prague. On the concert platform he joins the Gewandhausorchester Leipzig in their performance of Mahler Symphony no. 8 and performs Das Lied von der Erde with the Oslo Philharmonic Orchestra under the baton of Vasily Petrenko.
Last season Černoch returned to Opera National de Paris as Vladimir in Barrie Kosky’s new production of Borodin’s Prince Igor and made his company debut with Canadian Opera Company in the role of Prince in Dvořák’s Rusalka, as well as returning to Staatsoper Hamburg in the title role of Don Carlos. On the concert platform he performed Beethoven’s Ninth Symphony with the Gewandhausorchester Leipzig. Further invitations included Boris Katja Kabanova at Metropolitan Opera; Steva in a new production of Jenufa at the Royal Opera House; Don Jose in Bizet’s Carmen with Teatro Dell’Opera Di Roma and a Grigory in a new production of Boris Godunov at the Salzburg Festival.
Further recent engagements include Giasone Médée at the Salzburg Festival; Sergei Lady Macbeth of the Mtsensk District at Opera de Paris; Boris Katja Kabanova at Royal Opera House Covent Garden; Don Jose Carmen at Greek National Opera, Staatsoper Hamburg and Glyndebourne; Cavaradossi Tosca at Greek National Opera; Lenski Eugene Onegin at the Bayerische Staastsoper, Opera National de Paris and Wiener Staatsoper; Laca Jenufa at Bayerische Staastsoper, Dutch National Opera and Staatsoper Stuttgart; Jenik The Bartered Bride at The National Theatre in Prague and Opera National de Paris; Lykov The Tsar’s Bride at Berlin Staatsoper and Teatro alla Scala; Rodolfo La boheme at Staatsoper Hamburg; Pinkerton Madama Butterfly at Berlin Staatsoper and Oper Köln; and a staged production of Le Damnation de Faust at Teatro dell’Opera di Roma.
As much at home on the concert platform, he appears regularly with leading orchestras like the Gewandhaus Orchestra, CBSO, Boston Symphony Orchestra and Bamberger Symphoniker. Recent concert appearances include Mahler’s Das Lied von der Erde with the Prague Philharmonic, Rachmaninov’s The Bells with the Boston Symphony Orchestra and Verdi’s Requiem at the Bergen Festival.
Černoch made his professional debut in his native city with The Magic Flute, followed by appearances in Prague, Riga, Cagliari, Athens, Graz and Wiener Volksoper. Černoch began singing as a child when he became a member of the famed Cantilena Chamber Choir. He studied at the Janacek Academy Brno and went on to continue his vocal studies in Italy with Paolo de Napoli, who remains his mentor today.
The Telegraph, May 2015
“Pavel Cernoch sings Don José with plangency and power, making the Flower Song a highlight of the evening, and his final return as the deranged lover is utterly convincing.”
DrehPunktKultur, July 2016
"In the demanding title role of the Danish Prince, Pavel Černoch succeeds with a luminous, safely guided tenor."