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Tim Mead


Tim Mead returns to Wigmore Hall and the Théâtre des Champs Elysées

23 November 2018

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Wigmore Hall
Le Théâtre des Champs Elysées

Tim Mead begins a busy festive period with a retun to Wigmore Hall on 7 December 2018. Performing alongside Louise Alder and Arcangelo, Mead sings a program of cantatas by Scarlatti, Porpora and Handel. The concert will be broadcast on BBC Radio 3 at 7.30pm on 12 December. Mead next works with Arcangelo and their director Jonathan Cohen in January, when they perform Bach's B minor Mass in Hong Kong.

Three days later, Mead reunites with Emmanuelle Haïm and Le Concert d’Astrée for the final concert in their tour of France. Mead sings the role of Bertarido in a concert performance of Handel Rodelinda.

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Tim Mead performs Pergolesi Stabat Mater on tour of the UK with the Academy of Ancient Music

09 February 2018

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Barbican Centre

Tim Mead joins the Academy of Ancient Music, soprano Keri Fuge, and conductor Christian Curnyn this month for five performances of music by Handel, Corelli, and Pergolesi from 15 February 2018. The programme, entitled Mortal Voices, includes Pergolesi’s Stabat Mater alongside Handel’s Cantata Il Duello Amoroso. The tour begins with a concert at Milton Court in London and also visits Cambridge, Bury St Edmunds, Bath and Southampton.

Mead has just returned from Paris, where he made an enormously successful debut at the Opera National de Paris, singing Hamor in Handel’s Jephtha under the baton of William Christie.

"The viewer has the striking confirmation of the talent and dramatic presence of counter-tenor Tim Mead. The fullness of his tone and the panache of his technique give Hamor (Iphis's fiancé) an undeniable aura. The duo of lovers in Act I is a moment of pure happiness!"
La Croix, January 2018

”As the lover Hamor, Tim Mead is exemplary, a warm voice and honest singing, both in the quality of the stage performance and vocally”
Le Monde

Later this season he appears as Endimione in La Calisto for the Bayerische Staatsoper in Munich, and also sings the title role in Handel Giulio Cesare with Christian Curnyn and the Early Opera Company at St John’s Smith Square in London.

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Tim Mead sings Hamor in Jeptha in debut with Opera National de Paris

30 December 2017

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Opera National de Paris

Tim Mead makes his highly anticipated debut at the Opera National de Paris this month, as Hamor in Handel’s Jephtha, under the baton of William Christie. Claus Guth’s production opens at the Palais Garnier on 13 January, and also stars Ian Bostridge and Marie-Nicole Lemieux.

Mead began the season with an appearance at the Los Angeles Philharmonic alongside Gustavo Dudamel as part of their opening night gala, and was subsequently praised for his “magnetic” performance as Bertarido in Handel’s Rodelina at English National Opera.

Later this season he appears as Endimione in La Calisto at Bayerische Staatsoper and performs in concert with the Netherlands Bach Society, Academy of Ancient Music, Les Musiciens de Saint Julien, and the Mahler Chamber Orchestra.

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Susan Bickley & Tim Mead return to English National Opera for Rodelinda

12 October 2017

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Susan Bickley

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English National Opera

Susan Bickley and Tim Mead return to English National Opera on 26 October 2017 for the revival of Richard Jones’ acclaimed production of Handel Rodelinda. Christian Curnyn conducts a stellar cast also featuring Rebecca Evans in the title role and Neal Davies as Garibaldo.

Bickley reprises the role of Eduige, a portrayal the Guardian described as a “deft liaison of ferocity and wit” when the production premiered in 2014. Last season Bickley created the role of Paulina in Ryan Wigglesworth's The Winter's Tale for ENO, and subsequently received acclaim for her Genevieve in Pélleas et Mélisande for Garsington Opera. in 2018 she can be seen as Ericlea in Il ritorno d'Ulisse in patria for the Royal Opera at the Roundhouse.

Mead began the season with an appearance at the Los Angeles Philharmonic alongside Gustavo Dudamel as part of their opening night gala. In January he makes his debut at the Opéra National de Paris as Hamor in Jephtha, before appearing as Endimione in La Calisto at Bayerische Staatsoper in the spring.

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Tim Mead performs at Los Angeles Philharmonic's opening night gala with Gustavo Dudamel

12 September 2017

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Los Angeles Philharmonic

Tim Mead returns to Los Angeles on 26 September 2017 to join Anna Prohaska, Yuja Wang, Yefim Bronfman and Gustavo Dudamel for the Los Angeles Philharmonic’s opening night gala at Walt Disney Concert Hall. The follows soon after Mead made his debut with the orchestra at the Hollywood Bowl in August, singing Vivaldi's Stabat mater and Gloria to critical acclaim:

"The mostly dark, mostly lugubrious Stabat Mater — not exactly ideal fare for the famously easygoing, alfresco dining ambience of the Bowl — was nevertheless a grateful vehicle for the expressive, soothing, beautiful timbre of the English countertenor Tim Mead."
Los Angeles Times 

In October, Mead returns to English National Opera as Bertarido in Handel Rodelinda under the baton of Christian Curnyn, and in January makes his highly-anticipated debut at the Opera National de Paris as Hamor in Jephtha under William Christie.

Mead recently garnered praise for his performance of Bach St John Passion with the Dunedin Consort at the BBC Proms:

"Counter-tenor Tim Mead, at his most beautiful in Es Ist Vollbracht, led the distinguished lineup of soloists in the arias."

“"Ach, mein Sinn," the aria of Peter's regret at his denial, touched those depths you always dream of achieving in the best meditations. So, too, did counter-tenor Tim Mead's exquisite, hall-filling beauty of sound in "Es ist Vollbracht""
Arts Desk, five stars

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Tim Mead makes LA Philharmonic debut at the Hollywood Bowl

27 July 2017

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Los Angeles Philharmonic

Tim Mead makes his Los Angeles Philharmonic debut on 10 August 2017 under the baton of Nicholas McGegan, singing Vivaldi Stabat Mater and Gloria at the Hollywood Bowl. Mead recently received acclaim for his performance of works by Vivaldi given in recital at La Sainte Chapelle in Paris for Les Grandes Voix:

"In the Stabat Mater, the interpretation of 'Eja Mater' is divine, the melodic line admirably fluid, accompanied by a pointed rhythm of the strings. After a short pause, Nisi Dominus is both vigorous and precious."
Res Musica, July 2017

Next season Mead makes his highly anticipated debut at the Opéra National de Paris as Hamor in Jephtha under the baton of William Christie, and returns to English National Opera as Bertarido in Rodelinda under Christian Curnyn. Mead also returns to the Los Angeles Philharmonic on 26 September to perform alongside Yefim Bronfman, Anna Prohaska, Yuja Wang, and Gustavo Dudamel as part of their opening night gala.

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Tim Mead closes the Festival de Paris with Les Accents at the Sainte Chapelle

15 June 2017

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Festival de Paris

Tim Mead sings Vivaldi Stabat Mater and Nisi Dominus with Thibault Noally and Les Accents on 29 June 2017, the closing concert of Festival de Paris. The performance takes place at Paris’ famed Sainte Chapelle, the royal chapel within the medieval Palais de la Cité.

Mead sings a further performance of the Stabat Mater on 10 August with the Los Angeles Philharmonic at the Hollywood Bowl under the baton of Nicholas McGegan.

Mead’s last appearance in Paris, at the Théâtre des Champs-Élysées, garnered huge acclaim, and he returns to the city next season to debut at the Opera National de Paris as Hamor in Claus Guth’s production of Handel Jephtha, under the baton of William Christie.

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The BBC announced the line-up for the 2017 Proms on 20 April 2017, and as ever Intermusica artists and orchestras play a leading role in the festival. Every Prom is broadcast live on BBC Radio 3 and on the BBC website, with select concerts broadcast on BBC television live or at a later date.

Simon Halsey’s Proms Youth Choir give the opening concert of the Proms on 14 July, performing John Adams Harmonium alongside the BBC Symphony Chorus and BBC Symphony Orchestra conducted by Edward Gardner.

Joshua Weilerstein makes his debut at the Proms on 19 July, conducting the BBC Symphony Orchestra at 7.30pm the Royal Albert Hall. Weilerstein conducts a programme of Rebel Les élémens – le chaos, Berlioz Symphonie fantastique and Pascal Dusapin’s cello concerto Outscape, for which he is joined by his sister, cellist Alisa Weilerstein.

Nicholas Collon and his Aurora Orchestra return to the Proms to perform another symphony from memory at 7.30pm on 22 July. This time, they perform Beethoven Symphony No.3 ‘Eroica’, preceded by an introduction from Tom Service accompanied by excerpts from Collon and the orchestra. The programme for the concert also includes Strauss Metamorphosen.

John Wilson makes the first of two appearances at this year’s Proms at 6.30pm on 25 July when he performs with the BBC Scottish Symphony Orchestra. Wilson, the orchestra’s Associate Guest Conductor, leads the orchestra in a programme of Vaughan Williams Symphony No.9 and Holst The Planets.

Christopher Purves also makes two appearances at the Proms this year, with his first coming on 27 July. Purves joins Juanjo Mena, the BBC Philharmonic and the Crouch End Festival Chorus to perform the London premiere of Mark Simpson The Immortal, an oratorio inspired by Victorian séances.

Mark Wigglesworth is joined by pianist Stephen Hough and the BBC Philharmonic at 7.30pm on 29 July to perform Brahms Piano Concerto No.1, David Sawyer The Greatest Happiness on Earth and Haydn Symphony No.99.

Sir James MacMillan’s European Requiem receives its European premiere at the Proms at 7pm on 30 July from the BBC National Orchestra of Wales and conductor Xian Zhang, with Jacques Imbrailo performing as the baritone soloist. 

Sir John Eliot Gardiner returns to the Proms on 2 August with the Monteverdi Choir and English Baroque Soloists, this time for a late night Prom at the Royal Albert Hall at 10.15pm. Gardiner conducts his ensembles in a performance of cantatas by Bach and Schütz.

David Butt Philip joins Kirill Karabits and the Bournemouth Symphony Orchestra for the first Proms performance of Prokofiev’s cantata Seven, They are Seven at 7.30pm on 7 August.

Sir John Eliot Gardiner makes his second Proms appearance of the year at 7.30pm on 8 August, this time conducting the Orchestre Révolutionnaire et Romantique in a performance of Berlioz La damnation du Faust.

Lise Davidsen makes her debut at the Proms at 7.30pm on 10 August with the BBC Philharmonic and John Storgårds. Davidsen joins the orchestra to perform Sibelius Luonnotar and extracts from Grieg Peer Gynt.

John Wilson’s second Proms appearance this year comes on 11 August when his John Wilson Orchestra returns for its annual concert. This year, Wilson leads the orchestra in two performances of Rogers & Hammerstein Oklahoma!, at 2pm and 7.30pm.

Christopher Purves joins the London Symphony Orchestra and Sir Simon Rattle for a performance of Schoenberg Gurrelieder at 7.30pm on 19 August. Also performing are three of Simon Halsey’s choruses – City of Birmingham Symphony Chorus, London Symphony Chorus and Orfeó Català. Halsey also leads a Gurrelieder Proms Extra Sing Day at London Imperial College earlier that day.

Tim Mead returns to the Proms alongside John Butt and the Dunedin Consort for the third concert of the Proms’ Reformation Day at 7.45pm on 20 August. Mead follows last year’s Bach Mass in B minor with Bach St John Passion, singing alongside a cast that also includes Sophie Bevan, Nicholas Mulroy, Matthew Brook and Andrew Tortise.

Chicago Symphony Orchestra’s Beyond the Score® appears at the Proms at 7.30pm on 23 August, with a performance of Dvorák Symphony No.9 ‘From the New World’ given by the Hallé Orchestra and Sir Mark Elder alongside a multi-media exploration of the symphony directed by Beyond the Score founder Gerard McBurney.

Leonidas Kavakos reunites with Riccardo Chailly at 6.30pm on 25 August, as Intermusica bring the conductor and his Filarmonica della Scala to the Proms to perform Brahms and Respighi. Kavakos joins the orchestra for Brahms Violin Concerto, which is followed by Respighi Fountains of Rome and Pines of Rome.

Joélle Harvey returns to the Proms as Glyndebourne’s production of Mozart La clemenza di Tito comes to the Royal Albert Hall at 7pm on 28 August. Harvey takes the role of Servilia, with accompaniment from the Orchestra of the Age of Enlightenment and Robin Ticciati.

Intermusica is delighted to bring the Oslo Philharmonic and Vasily Petrenko to the Proms at 7.30pm on 29 August. Petrenko conducts the orchestra in an all-Russian programme of Stravinsky The Firebird (1919 version), Rachmaninov Piano Concerto No.4 and Shostakovich Symphony No.12.

Kirill Gerstein continues his partnership with Semyon Bychkov at 7.30pm on 31 August, joining the conductor and the BBC Symphony Orchestra to perform Rachmaninov Piano Concerto No.1.

The Freiburg Baroque Orchestra bring an all-Mendelssohn programme to the Proms this year from 1pm on 3 September. Conducted by Pablo Heras-Casado, the orchestra perform Mendelssohn Hebrides Overture, Violin Concerto with Isabelle Faust and Symphony No.5

Ben Johnson joins Sakari Oramo, the BBC Symphony Orchestra and an international cast of soloists for the Last Night of the Proms on 9 September. The Last Night begins from 7.15pm and will be broadcast live on BBC Two, and Johnson sings Kodály Te Deum.

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Sarah Tynan & Tim Mead star in Semele in Boston with the Handel & Haydn Society

21 April 2017

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Handel & Haydn Society

Sarah Tynan and Tim Mead travel to Boston in May to join the Handel & Haydn Society for two performances of Handel Semele on 5 and 7 May 2017. Performing at Symphony Hall under the baton of Harry Christophers, Tynan sings the title role while Mead takes the role of Athamas.

Tynan and Mead are joined by a cast including Jeremy Budd, Matthew Brook, Paula Murrihy, Mireille Asselin, Woodrow Bynum and Stefan Reed.

Both Tynan and Mead are noted performers of Handel - Tynan recently sang the title role of Partenope at English National Opera, while Mead sang Ottone in Agrippina at Opera Vlaanderen:

"In the title role, Sarah Tynan is a queen bee with Nancy Cunard looks, Marlene Dietrich poses as she flaunts her pins on a handy chair and a voice gliding over the high coloratura like a butterfly over a flowerbed."
Times, March 2017

“This revival benefits from an exceptional Ottone in the person of Tim Mead. With a top drawer enchanting tone across the board and a wholly invested stage-presence, the English counter-tenor has everything going for him.”
Res Musica
, March 2017

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Tim Mead sings Ottone in Agrippina with Opera Vlaanderen

09 March 2017

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Opera Vlaanderen

Tim Mead returns to Opera Vlaanderen this month in the role of Ottone Handel Agrippina from 23 March 2017. Mariame Clément’s production is conducted by Stefano Montanari. Mead last performed at Opera Vlaanderen in the title role of their hugely successful production of Philip Glass Akhnaten in 2015:

“Tim Mead’s Akhnaten sang with amazing purity, a kind of ethereal metaphor of the pharaoh’s philosophy.”
Opera Now, April 2015

Next month Mead can be seen as The Boy in George Benjamin Written on Skin at the Bolshoi, and Athamas in Handel Semele with the Handel & Haydn Society, Boston.

Agrippina runs from 23 March to 4 April.

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Tim Mead performs in recital at Wigmore Hall

15 January 2017

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Wigmore Hall

Tim Mead returns to Wigmore Hall on 29 January 2017 for a solo recital accompanied by pianist James Baillieu. The duo performs English songs by Howells, Quilter, Purcell, Dankworth, Vaughan Williams and Britten.

"It’s a rich, mellifluous sound, more in the rounder, warmer realm of Andreas Scholl than his predecessors. His aria I Know a Bank Where the Wild Thyme Blows, a signature moment in the opera, is a spellbinding achievement, sensuously phrased and beautifully judged."
Guardian, five stars, August 2016

Later this season, Mead returns to Opera Vlaanderen as Ottone in Handel Agrippina, and reprises the role of the Boy in George Benjamin Written on Skin at the Bolshoi. In concert Mead can be seen alongside the Chamber Orchestra Basel, Handel and Haydn Society in Boston, and Dunedin Consort.

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Richard Egarr makes his CBSO debut conducting Handel Semele with Tim Mead

11 January 2017

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Richard Egarr

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City of Birmingham Symphony Orchestra

Richard Egarr makes his debut with the City of Birmingham Symphony Orchestra this month when he conducts the orchestra in a performance of Handel Semele on 25 January 2017. Egarr is a noted performer of Handel's music, with award-winning Harmonia Mundi recordings of the solo keyboard suites and the organ sonatas to his name (with the Academy of Ancient Music), as well as many critically-acclaimed performances of the Messiah and other oratorios.

Egarr is joined for the concert by fellow Intermusica artist Tim Mead, who sings the role of Athamas. He has regularly performed Handel to critical acclaim, including two Messiahs in December 2015 with both the Gabrieli Consort and Players and the New York Philharmonic:

The alluring countertenor Tim Mead was consistently excellent, especially his somber account of the aching aria 'He Was Despised.'"
New York Times, December 2015

In addition to the CBSO, the concert features the CBSO Chorus, who will be prepared for the performance by Simon Halsey.

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Tim Mead joins L'Arpeggiata in concert at the Théâtre des Champs-Élysées

04 January 2017

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Théâtre des Champs-Élysées

Tim Mead performs at the Théâtre des Champs-Élysées on 18 January 2017 with L'Arpeggiata alongside soprano Emőke Baráth and conductor Christina Pluhar. The programme for the concert includes selections by Monteverdi, as well as Pergolesi’s Stabat Mater, which Mead has recently recorded with La Nuova Musica for future release. On 25 January, he can also be seen as Athamas in Handel Semele with the City of Birmingham Symphony Orchestra and Richard Egarr.

Later this season, Mead returns to Opera Vlaanderen as Ottone in Handel Agrippina, and also reprises the role of the Boy in George Benjamin’s Written on Skin at the Bolshoi. In concert Mead can be seen alongside the Chamber Orchestra Basel, Handel and Haydn Society in Boston, and Dunedin Consort.

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Intermusica tours Shakespeare in Love with the English Concert, Tim Mead & Mary Bevan to Hong Kong & China

27 November 2016

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Mary Bevan

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The English Concert

Complimenting the Halle’s China tour of orchestral works inspired by Shakespeare in July this year, Intermusica continues to mark the 400th anniversary of Shakespeare’s death by touring the English Concert under Harry Bicket to Hong Kong and China from 11 December 2016.

The tour is a unique musical project showcasing Shakespeare’s influence on baroque repertoire. Featuring the soprano Mary Bevan and counter-tenor Tim Mead, the programme for the concerts includes vocal and instrumental works by Purcell, Arne, Locke and Handel, who were all inspired by plays including A Midsummer Night’s Dream, The Tempest, Cymbeline and Julius Caesar.

Entitled ‘Shakespeare in Love’, the concept was jointly created by Intermusica and the English Concert specifically for the Asia market and is another example of how Intermusica closely collaborates with orchestras and ensembles to design and deliver pioneering tours with strong artistic integrity. The tour visits Hong Kong’s City Hall alongside the ensemble’s debuts in the Qintai Concert Hall Wuhan, Shanghai’s Grand Theatre and the National Centre for the Performing Arts, Beijing.

Full programme:

11 December: City Hall, Hong Kong
13 December: Qintai Concert Hall, Wuhan
15 December: Grand Theatre, Shanghai
17 December: NCPA, Beijing

The Shakespeare in Love tour is kindly supported by the British Council, Dream Cruises and Crystal Cruises

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Tim Mead sings Ode to St Cecilia with the Dunedin Consort at Wigmore Hall

08 November 2016

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Wigmore Hall

Tim Mead returns to Wigmore Hall on 22 November 2016 with the Dunedin Consort to celebrate St Cecilia’s Day with a performance of Purcell Ode to St Cecilia. John Butt conducts the Dunedin Consort and soloists Joanne Lunn, Nicholas Mulroy and Matthew Brookin this performance which also includes selections from The Tempest and music from Purcell's contemporary Matthew Locke.

Highlights for the rest of the season include a concert tour to Asia with The English Concert and Harry Bicket, and Ottone in Handel Agrippina for Opera Vlaanderen.

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Tim Mead joins Les Arts Florissants to sing Bach at BBC Proms

18 August 2016

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BBC Proms

Tim Mead joins William Christie and Les Arts Florissants on 1 September 2016 for a performance of Bach Mass in B Minor at the BBC Proms. They will be joined on stage by soprano Katherine Watson, tenor Reinoud Van Mechelen, and baritone André Morsch. Mead is renowned for his “virtuoso” performances of the Bach repertoire, and has previously recorded the Mass in B Minor with Arcangelo for Hyperion, to critical acclaim.

Mead has been starring as Oberon in Britten A Midsummer Night’s Dream at Glyndebourne this summer, and has received rave reviews:

"It’s a rich, mellifluous sound, more in the rounder, warmer realm of Andreas Scholl than his predecessors. His aria I Know a Bank Where the Wild Thyme Blows, a signature moment in the opera, is a spellbinding achievement, sensuously phrased and beautifully judged."

"Tim Mead, with his perfect enunciation, is a pearly, clear-voiced Oberon"
Financial Times

"Some starry casts have inhabited this production over the years, and this revival is no exception. Mead sounds better than ever – a chilly Oberon whose “I know a bank” rings metallic-pure, only swelling into the faintest flutter of vibrato for the final note of a phrase, a sensualist’s practised caress."
Arts Desk

Next season he will return to Opera Vlaanderen as Ottone in Handel Agrippina, headline an Asian tour with The English Concert, and will reprise the role of The Boy in George Benjamin’s Written on Skin for the Bolshoi.

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Tim Mead & Anthony Gregory star in A Midsummer Night's Dream at Glyndebourne

27 July 2016

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Anthony Gregory

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Glyndebourne Festival Opera

Tim Mead and Anthony Gregory return to Glyndebourne Festival Opera on 11 August 2016 to star in the upcoming revival of Peter Hall’s popular production of Britten A Midsummer Night's Dream.

Mead reprises the role of Oberon alongside Gregory, who makes his debut in the role of Flute. The cast also includes Kathleen Kim as Tytania, Kate Royal as Helena, Matthew Rose as Bottom, and Duncan Rock as Demetrius, under the baton of Jakub Hrůša.

Mead has previously sung Oberon for Bergen National Opera, where he was praised for his “ethereal voice” (Bergen Journal), “his soothing countertenor crooning an irresistible invitation to sleep” (Opera Now). Next season Mead can be seen as Ottone in Handel Agrippina at Opera Vlaanderen, and reprises his acclaimed performance as the Boy in George Benjamin Written on Skin with the Aix-en-Provence Festival at the Bolshoi Theatre.

Anthony Gregory returns to Glyndebourne following his performance last season as Peter Quint and Prologue in Britten The Turn of the Screw with Glyndebourne on tour. Gregory joins the Glyndebourne tour in 2016/17 as Ottavio Don Giovanni and returns to Glyndebourne later in the season. Other future engagements include the role of Lysander A Midsummer Night’s Dream with Aix-en-Provence in their tour to Bahrain and Florizel in the world premiere of Ryan Wigglesworth The Winter’s Tale at English National Opera.

A Midsummer Night’s Dream runs at Glyndebourne until 28 August.

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Tim Mead leads Melancholia at Theater Basel

05 May 2016

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Theater Basel

Tim Mead travels to Switzerland this month to lead Theater Basel’s new production, Melancholia, from 12 May 2016. The piece is a co-production with the Young Theater Basel, and explores the theme of Melancholy from the songs of John Dowland and the madrigals of Monteverdi through to the present day. Andrea Marcon conducts and Sebastian Nübling directs the production alongside Ives Thuwis, who choreographs the corps of young dancers who accompany the international cast of singers.

Mead has recently finished a hugely successful European tour with the Mahler Chamber Orchestra, singing the role of the Boy in George Benjamin Written on Skin, and this summer can be seen as Oberon in Britten A Midsummer Night’s Dream at Glyndebourne.

"The countertenor Tim Mead sings the Boy and looks the part. With his melting, pure sound, he shapes expressive phrases beautifully."
New York Times

"Tim Mead captured the Boy’s androgynous sexuality with astonishing beauty"

Melancholia runs at Theater Basel from 12 May - 24 June, and will also be featured at the Holland Festival in Amsterdam on 14 and 15 June. For more information, visit Theater Basel’s website.

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Intermusica leads eight major Asia tours in 2016

Intermusica will take eight world-class ensembles to Asia in 2016 in a year of ground-breaking firsts. Watch our video below to find out more. 

Academy of Ancient Music
- Conducted by Richard Egarr
- First British orchestra to play in Prince Mahidol Hall, Bangkok
- Marking 275th anniversary of Vivaldi’s death 

Budapest Festival Orchestra
- Conducted by Iván Fischer with soloist Ning Feng
- BFO’s debut in Xi’an, the ancient capital of China
- Chinese premiere of Dutilleux’s L’arbre des songes 

Choir of King's College, Cambridge
- Choir’s debut in Nanjing and Tianjin and fourth Intermusica tour to China
- Opening Beijing NCPA’s International Chorus Festival

Colin Currie Group
- Group's Macau debut
- Celebrating Steve Reich’s 80th birthday year
- Debut of Steve Reich's music at Macu International Music Festival

- Conducted by Sir Mark Elder
- Hallé's debut in Wuhan and Shanghai
- First British orchestra to collaborate with Chinese choruses in the Chinese premiere of William Walton’s Henry V 

NDR Radiophilharmonie
- Conducted by Andrew Manze
- UNESCO World Cities of Music collaboration with Tongyeong
- Sir Andras Schiff’s debut concerto tour of China 

Orchestre de la Suisse Romande
- Conducted by Osmo Vänskä with soloist Renaud Capuçon
- OSR's debut in India

The English Concert
- With soloists Tim Mead and Mary Bevan
- ‘Shakespeare in Love’: a concept designed by Intermusica in collaboration with The English Concert to celebrate Shakespeare 400
- The English Concert’s debut in Wuhan, Shanghai and Beijing 

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“Exquisite”: praise for Christopher Purves & Tim Mead in Written on Skin European tour

21 March 2016

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Christopher Purves

Christopher Purves & Tim Mead have received acclaim throughout Europe for their roles in Written on Skin, described as “exquisite” and “a marvel”, on tour with the Mahler Chamber Orchestra. Beginning on 12 March in Dortmund, the tour stopped at Cologne, Barcelona, Madrid and at culminated at London’s Barbican Centre on 19 March.

Read some of the reviews below:

“Mead makes a chilly seducer, magnetic but horribly impassive. It’s a physical performance that’s the twin of his vocal delivery, which brings both Brittenish purity and Baroque power to bear on music that’s tainted even as it is exquisite. His duets with Hannigan are indecently sensual, sparking harmonics that ripple back through the orchestra.

It is Purves you can’t take your eyes off. The subtle rhetoric of his delivery is a marvel. The notes are just the start of expressive details and shading that render this tyrant disquietingly human. It is he who leads the orchestra into its sudden, cataclysmic flares of sound – moments where Benjamin treats his whole ensemble as a percussion section, striking and shaking them – and matches them in the heft of his anger, his violence.”
Arts Desk

“Hannigan’s impersonation of Agnès’s fury and sudden insatiable desire was matched by Purves’s painful transition from pride to fear to rage. The virtuosity of their singing, with diction so decisive and precisely nuanced that Crimp’s words burnt my ears, was astonishing. Cool and ambiguous, Mead was the melismatic foil to their heat.”

“The MCO played it with an almost queasy beauty, and the singing was flawless. Christopher Purves and Barbara Hannigan, who also created the roles of the Protector and Agnès, are remarkable vocal actors, and their interpretations intensify with time. Tim Mead captured the Boy’s androgynous sexuality with astonishing beauty”

“Her performance is matched by the magnificent countertenor Tim Mead, with beautiful voice and interpretive line. Christopher Purves is also great in his less sympathetic but equally difficult role.”
El Mundo

“Christopher Purves (Protector), with opaque voice, embodied with truth and virulence the sinister husband and murderer. Countertenor Tim Mead (First Angel, Boy), whose sound has the timbre of mezzo, knew how to act, speak and refine. The success in the packed theatre was complete. Rightfully.”
La Razon

“Tim Mead, the main novelty of the cast, is already one of the great countertenors of all time, and one cannot imagine a Boy sung better than his.”
El Pais

“… the countertenor Tim Mead (The Boy and First Angel) also dazzled with a voice of delicate nuances, and baritone Christopher Purves (Protector) showed a strong theatrical instinct.”
El Pais

“…when the voice of Tim Mead combines with the wonderful soprano Barbara Hannigan, the emotional centre of the opera is reached. With expressive singing Christopher Purves is the "protector" of his wife…”
Der Westen

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Christopher Purves & Tim Mead star in Written on Skin on tour with Mahler Chamber Orchestra

27 February 2016

Related profiles:
Christopher Purves

External Links:
Barbican Centre

Tim Mead and Christopher Purves reprise their roles in George Benjamin Written on Skin on tour with the Mahler Chamber Orchestra from 12 March 2016. Benjamin himself conducts these semi-staged concert performances in Dortmund (12 March), Cologne (13 March), Barcelona (16 March), Madrid (17 March) and at the Barbican in London (19 March). Written on Skin was last performed in August 2015 at Lincoln Center, as part of the Mostly Mozart Festival, with both Mead and Purves attracting praise for their performances:

"The countertenor Tim Mead sings the Boy and looks the part. With his melting, pure sound, he shapes expressive phrases beautifully."
New York Times, August 2015

"Tim Mead's stunningly pure, otherwordly countertenor in the role of the Boy..."
Washington Post, August 2015 

"The baritone Christopher Purves, the original Protector, brings a stentorian voice and imposing swagger to the role, while projecting the words with impressive clarity."
New York Times, August 2015

"Christopher Purves was firm, sinister and aching in the role of the Protector, desperate to keep a shifting world under his control."
Washington Post, August 2015 

Following the tour, Purves travels to Houston Grand Opera to appear as Alberich in Wagner Siegfried, and this summer he sings the Gamekeeper in Janacek The Cunning Little Vixen at Glyndebourne Festival Opera. Mead appears this spring at Theater Basel, as part of their Melancholia programme, and this summer can also be seen at Glyndebourne, singing Oberon in Britten A Midsummer Night’s Dream.

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Tim Mead returns to New York Philharmonic for Handel's Messiah

01 December 2015

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New York Philharmonic

Tim Mead returns to New York this month for five performances of Handel’s Messiah with the New York Philharmonic on 15, 16, 17, 18 and 19 December 2015. Jane Glover conducts the performances at David Geffen Hall, which also feature soprano Heidi Stober, tenor Paul Appleby and baritone Roderick Williams alongside the Westminster Symphonic Choir. Mead previously sang Messiah in his New York Philharmonic debut in 2012, prompting the New York Times to comment on “his luminous voice, impeccable control and expressive phrasing.”

Mead has recently made a stunning role debut as Oberon in Britten A Midsummer Night’s Dream for Bergen National Opera, a role he repeats later this season at Glyndebourne Festival Opera. This spring he can also be seen on tour with the Mahler Chamber Orchestra and Les Arts Florissants, as well as in a new programme with Theater Basel entitled Melancholia.

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Paul McCreesh conducts Gidon Saks, Ben Johnson and Tim Mead in Britten's A Midsummer Night’s Dream at Bergen National Opera

24 October 2015

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Gidon Saks

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Bergen National Opera

Paul McCreesh returns to lead the Bergen Philharmonic Orchestra this month, conducting Britten’s A Midsummer Night’s Dream at Bergen National Opera from 7 November 2015. The production – a revival directed by Robert Carsen – runs for four performances on 7, 9, 11 & 13 November, and features a host of Intermusica singers, including countertenor Tim Mead as Oberon, tenor Ben Johnson as Lysander and Gidon Saks playing the role of Bottom.

Saks is making his house and role debut as Bottom, having just made highly successful appearances at the Edinburgh Festival as Nick Shadow in The Rake’s Progress and in the title role of Bluebeard’s Castle at the Komische Oper Berlin. Later this season he can be seen as Gyges in Der Konig Kandaules at Opera Vlaanderen, and as the King of France in Lear at the Opera de Paris.

Tim Mead is also making his house debut in Bergen. He has most recently been seen at Opera de Lille singing the role of Arsamene in their production of Cavalli’s Xerse, and at Lincoln Center in the U.S. premiere of George Benjamin’s Written on Skin. Mead reprises the role of Oberon at the Glyndebourne Festival this summer.

Ben Johnson’s most recent operatic success was in the role of Carlo in Verdi’s Giovanna d’Arco for the Buxton Festival. Equally at home in twentieth century and contemporary repertoire, Johnson is renowned for his performances of works by Britten, including the War Requiem and Serenade for Tenor, Horn and Strings. Later this month he sings Arvo Pärt’s Passio with the Choir of Kings College, Cambridge.

McCreesh last conducted Bergen Philharmonic in 2012, when he led the orchestra – along with the Bergen Philharmonic Choir, plus Kor Vest and local students – in a large-scale performance of Mendelssohn’s Elijah.

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Tim Mead sings Arsamene in Cavalli's Xerse with Emmanuelle Haïm at Opéra de Lille

18 September 2015

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Opéra de Lille

Tim Mead travels to Opéra de Lille this month, where he sings Arsamene in Cavalli Xerse from 2 October 2015. Under the baton of Emmanuelle Haïm, the cast also features Ugo Guagliardo, Carlo Allemano, Emöke Barath, and Camille Poul. Opéra de Lille and Haïm's period ensemble, Le Concert d’Astrée, perform the 17th century version of Cavalli’s opera, which includes the ballets added by Jean-Baptiste Lully to the original score. Renowned Flemish director Guy Cassiers directs the production in cooperation with choreographer Maud Le Pladec.

Mead arrives in Lille on the back of a hugely successful summer in the United States, where he received widespread acclaim for his performances in the title role of Handel Richard the Lionheart at Opera Theatre of St Louis, and as The Boy in the US premiere of George Benjamin’s Written on Skin at Lincoln Center.

“Tim Mead, in the title role, proved to be that rarest of creatures, a macho countertenor. His sound was rich and forceful — even in the most florid passages, it maintained its startling vigor — and he brought an infectious swagger to his physical portrayal.”
Handel Richard the LionheartOpera News, August 2015

Later in the season, Mead sings Oberon in Britten A Midsummer Night’s Dream at Bergen National Opera and again at Glyndebourne in summer next year.

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Christopher Purves & Tim Mead: Written on Skin at Mostly Mozart festival

28 July 2015

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Christopher Purves

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Mostly Mozart Festival

Christopher Purves and Tim Mead perform at the Lincoln Center’s Mostly Mozart Festival staging of George Benjamin’s Written on Skin on 11 August, in its highly-anticipated United States staged premiere. Christopher Purves reprises the role of Protector, which he originated, and Tim Mead sings the role of the Boy/First Angel. Written on Skin premiered in 2012 at the Aix-en-Provence Festival, and had its UK premiere at the Royal Opera House, Covent Garden in 2013.

Called by Le Monde “the best opera written in twenty years,” Written on Skin is based on a medieval legend of the troubadour Guillaume de Cabestanh, and deals with modern themes of love, passion, cruelty, and revenge through the lens of the 12th-century tale.

Under the direction of Katie Mitchell, the cast also includes Barbara Hannigan, reprising the role of Agnès, and Victoria Simmonds and Robert Murray as Angels 2 and 3. Alan Gilbert will conduct the Mahler Chamber Orchestra in three performances on 11, 13 and 15 August.

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Tim Mead & Devon Guthrie in Riccardo Primo at The Opera Theatre of St Louis

24 May 2015

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Opera Theatre of St Louis

Tim Mead and Devon Guthrie both make their house debuts at The Opera Theatre of St Louis from 7 June 2015 in the North American premiere of Handel’s Riccardo Primo. Presented as Richard the Lionheart in a new translation by Lee Blakely, the production is directed by Blakely and conducted by Grant Llewellyn.

Tim Mead will sing the title role of Richard the Lionheart following a triumph at Opera Vlaanderen in the title role of Philip Glass Akhnaten, and this summer will appear at Lincoln Center’s Mostly Mozart Festival for the highly-anticipated New York premiere of George Benjamin’s Written on Skin.

Fellow Intermusica artist Devon Guthrie makes her debut singing the role of Pulcheria, the Governor of Cyprus’s daughter. Guthrie and Mead join a cast that also includes Susannah Biller as Costanza and Tai Oney as Oronte.

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Tim Mead performs with Alison Balsom & English Concert at Wigmore Hall

24 April 2015

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Wigmore Hall

Tim Mead joins trumpeter Alison Balsom, soprano Lucy Crowe and The English Concert for a late night concert at Wigmore Hall on 8 May 2015. Trevor Pinnock conducts the programme of works by Purcell and Handel.

Mead and Crowe previously sang together in March in a performance of Pergolesi Stabat Mater, a partnership that received significant praise from the critics:

“The pairing of Lucy Crowe and Tim Mead was perfectly suited to the five solo arias and seven duets which make up this work; Lucy Crowe … was so well complemented by Tim Mead’s rich and even counter-tenor….wonderfully balanced, with no sense of striving or competition, no over-emphasis on the emotion, but instead with beautifully shaped lines and brief but glorious moments of unison.”
Bachtrack, March 2015

Following this concert, Mead travels to the United States to sing the title role in the U.S. premiere of Handel Riccardo Primo (Richard the Lionheart) at Opera Theatre of Saint Louis. 

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Gabrieli Consort & Players, Paul McCreesh & Intermusica soloists at Festival de Pâques

20 March 2015

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Festival de Pâques
Gabrieli Consort & Players

Intermusica tours the Gabrieli Consort & Players with conductor Paul McCreesh and soloists Tim Mead and David Stout to Festival de Pâques in Aix en Provence for a special Good Friday performance of Bach St Matthew Passion on 3 April.

Formed as an early music ensemble by Paul McCreesh in 1982, Gabrieli’s are world-renowned interpreters of great vocal and instrumental repertoire spanning from the renaissance to the present day and are acclaimed interpreters of Bach Passions.

Always performed in Paul McCreesh’s distinctive one-to-a-part formation, soloists on this occasion include Nicholas Mulroy as Evangelist, Mhairi Lawson, Tim Mead, Marcus Farnsworth. Helen Jane Howells, Helen Charlston, David Stout and Thomas Walker. The concert will be broadcast live on Radio Classique at 20:30 (CET time).

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"A golden voice": Tim Mead praised for Akhnaten title role at Opera Vlaanderen

27 February 2015

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Opera Vlaanderen

Tim Mead stars in a new production of Philip Glass Akhnaten at Opera Vlaanderen. With costumes designed by Walter Van Beirendonck, and sets and stage direction by Nigel Lowery, the production has received rave reviews. Mead, in particular, has been praised for his bold interpretation of the title role. Read the reviews below.

Akhnaten continues at Opera Vlaanderen in Ghent, with the final four performances on 4, 6, 8 and 10 March.

“… the excellent Tim Mead (who sings in baroque style) is exceptionally strong – that vocal range!”
Concert News, February 2015

“the counter-tenor who plays Akhnaten: Tim Mead. A very clever rendition, a man with a golden voice. Equipped with all the gestures, drama and expression… a menacing presence… is really the picture of the pharaoh. An absolute highlight.”
De Redactie, February 2015

“Countertenor Tim Mead took the title role. He did so with gusto. His key moment came in the fourth scene of the second act where he performed the hymn to the god Aton…original text of Akhenaten is the focal point of the whole history and the highlight of the opera. Mead did it justice.”
Opera Magazine, February 2015

“especially the Akhenaten of Tim Mead, who is a very worthy successor to Paul Esswood, the creator of the role in 1984, with a beautifully smooth voice”
Forum Opera, February 2015

“The British countertenor Tim Mead deserves special praise as Akhnaten ... 'Akhnaten' is visually and musically overwhelming.”
De Tijd, February 2015

"The Akhnaten of Tim Mead, a countertenor role (created by Paul Esswood), delighted”
Crescendo, February 2015

“The excellent ensemble of singers is dominated by Tim Mead as Akhnaten”
De Morgen, February 2015

“Akhnaten and Nefertiti come into the limelight: he (Tim Mead) strongly with a touch of sensuality…”
Trouw, February 2015

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Tim Mead & Kai Rüütel star in Glass’s Akhnaten at Opera Vlaanderen

30 January 2015

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Kai Rüütel

Tim Mead sings the title role in Philip Glass Akhnaten at Opera Vlaanderen in a production directed by Nigel Lowery, opening on 13 February. He is joined by Kai Rüütel, who sings the role of Nefertiti.

Mead recently performed a solo recital at Rome’s Accademia Filarmonica Romana and received critical acclaim for his performances of Handel Messiah in December, in which “his striking tone quality made big impact” (Classical Source). Later this year, he will make debuts with Opera Theater of St Louis, Opera de Lille and Bergen National Opera.

Kai Rüütel returns to Opera Vlaanderen after her “fierce” (Mundo Clasico) portrayal of Sonyetka in Calixto Bieito’s production of Lady Macbeth of the Mtsensk District in March of last year. Later this season she returns to Royal Opera House, Covent Garden, to revive the role of Meg Page in Falstaff and makes her recital debut in her native Estonia, together with Roger Vignoles. Further ahead she makes debuts with Teatro Real and Dallas Opera and returns for new productions at the Royal Opera House and Dutch National Opera.

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Tim Mead performs a solo recital at Rome's Accademia Filarmonica Romana

08 January 2015

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Accademia Filarmonica Romana

“Electrifying” (Boston Classical Review, November 2014) counter-tenor Tim Mead makes his solo recital debut on 22 January in Rome. In a performance at the Accademia Filarmonica Romana, Mead will be joined by cellist Jonathan Manson and harpsichordist Laurence Cummings. The programme includes a variety of love songs by Purcell, Monteverdi, Dowland, Frescobaldi and Handel.

Following the recital, Mead will be performing the title role of Philip Glass Akhnaten at Opera Vlaanderen in Antwerp (opening on 13 February) and Ghent (opening on 4 March).

“The countertenor Tim Mead…dominates, the sound is forceful, confident, often thrilling – the presence attractive and engaging. The tone and timbre are immensely alluring. There is a precision that goes with the assurance. His coloratura was second to none.”
Seen and Heard International, February 2014

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Tim Mead tours Handel’s Messiah with the Academy of Ancient Music around Europe

26 November 2014

In December, Tim Mead tours Europe with the Academy of Ancient Music, singing Handel's Messiah in three cities. The tour also features soprano Ailish Tynan, tenor Robert Murray and baritone Jonathan Lemalu, as well as director and harpsichordist Richard Egarr. On 10 December, they will perform at London’s Barbican Centre, before travelling to Madrid for a further two performances at the Auditorio Nacional de Musica on 16 and 17 December. Following the concerts in Madrid, the tour will travel to Belgium for a final performance in Ghent on 19 December.

Mead has previously sung Messiah to great acclaim, praised for his “luminous voice, impeccable control and expressive phrasing” (New York Times, December 2012).

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Tim Mead stars in Rinaldo at Glyndebourne Festival

04 August 2014

Tim Mead returns to Glyndebourne Festival Opera to sing the role of Goffredo in a revival of Robert Carsen’s production of Rinaldo, opening on 9 August.

Mead, who previously sang the role of Eustazio in the same production at Glyndebourne in 2011, completes a quartet of counter-tenors in this production, which also includes Iestyn Davies in the title role, Anthony Roth Costanzo as Eustazio and James Laing as A Christian Magician. This revival will be directed by Bruno Ravella, with Ottavio Dantone conducting the Orchestra of the Age of Enlightenment.

Rinaldo will open at Glyndebourne on 9 August, with subsequent performances on 12, 14, 17, 19, 22 and 24 August.

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Tim Mead sings Apollo in Opus Arte’s new release of Death in Venice

03 March 2014

Tim Mead sings the role of Apollo in Deborah Warner’s production of Britten’s Death in Venice at English National Opera, which is released on DVD and Blu-ray on 3 March by Opus Arte. The production received rave reviews in the summer of 2013, with critics noting the “due radiance” (Financial Times, June 2013) and “honeyed allure” (Guardian, June 2013) of Mead’s Apollo.
Alongside Mead, John Graham-Hall sings the central role of Aschenbach and Andrew Shore appears in multiple roles. The production is conducted by Edward Gardner.

Forthcoming engagements for Mead this month include a recital with La Nuova Musica at St George’s Hannover Square as part of the London Handel Festival (12 March) and Monteverdi’s Madrigals with Arcangelo and Jonathan Cohen at the Wigmore Hall (18 March).

Watch the trailer for Death in Venice

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Intermusica represents Tim Mead worldwide

Julia Maynard
Director / Head of Vocal & Opera
+44 20 7608 9902

Rozemarijn Tiben
Associate Artist Manager, Vocal & Opera
+44 20 7608 9921

If you have any queries, please fill in the form below, and we will be in touch soon

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